4/28/2023 0 Comments Eminem debut album![]() X’s world is not a happy place, and the musical backdrops are seldom comforting. There’s something raw about the instrumentation from front to back, with clever samples, dissonant orchestration, and melancholic chord progression. Instead, X opted for the services of PK, Swizz Beatz, and Dame Grease, who handled the bulk of the project’s production. On The Slim Shady LP, Dre contributed a mere three songs, but all three went on to become singles - “My Name Is,” “Guilty Conscience,” and “Role Models.” Dre’s production for Eminem generally hovers around the darker edge of the spectrum, and his ominous work on “Role Models” and “Guilty Conscience” foreshadow some of the later musical developments of The Marshall Mathers LP, Encore, and even Relapse. In many ways, Em and Dre’s musical union felt like destiny, and together they would enjoy the mutual benefits of Em’s rising superstardom. In case you missed it, Dre was looking for a new breakout star, feeling the pressure from some of the higher ups of Interscope Records. Dre’s contributions cannot be undersold.īy now, everybody is aware of the widely circulated story of Dre and Eminem’s first studio session. And while the Bass Brothers were part of what made The Slim Shady LP so magnificent, Dr. The Bass Brothers were pivotal in shaping Eminem’s early sound, which ended up carrying over into his own production work the duo favored slinky, minor key guitar lines and dynamic bass lines, and their work on tracks like “As The World Turns,” “Just Don’t Give A Fuck,” and “Brain Damage” are the foundation of Em’s drug-addled, mummified Slim Shady persona. The vast majority of The Slim Shady LP’s production was handled by Mark and Jeff Bass, better known as The Bass Brothers. Dre’s The Chronic going head to head with Snoop Dogg’s Doggystyle, the production on these two albums are handled by entirely different camps. Unlike in our previous installment, which found Dr. Now, with their peak musical days behind them, it seems an opportune time to examine how both debut albums have not only withstood the test of time, but also served to springboard a pair of iconic and larger than life careers. " Both have enjoyed success on the big screen, and both have suffered through substance abuse and addiction problems. Nearly two decades have passed since X set it off with his debut, and in the interim, both Em and DMX have collaborated on the haunting battlecry " Go To Sleep. With that being said, both albums are widely hailed as classics by fans and critics alike. Even the album artwork plays a pivotal role in capturing the essence of each project, promising nothing short of a twisted, and often deranged musical odyssey. Even when the lyrics teeter into gratuitous territory, they are delivered with the craftsmanship of an auteur. Yet while some may be put off by the subject matter, the sheer level of enjoyment both men derive in exploring these darker themes are what makes both projects such compelling narratives. With a raw, animalistic energy, X emerged onto the scene with as an unparalleled force, straying the line between a man of God attempting to stray the righteous path, and the devil personified, seeking pleasure in the most abhorrent and ruthless atrocities.īoth The Slim Shady LP and It’s Dark And Hell Is Hot indulge in violence, and while the former veers into cartoonish, comic-book-esque territory, the latter revels in the hopelessly macabre. Jay was busy navigating the finer points of street-based entrepreneurship, while DMX was living and breathing the midnight gutter. But there was something different about X. As fellow New York contemporaries like Jay-Z, Nas, and Busta Rhymes were in the middle of carving out their own legacies, X was looking to make his mark in the game. While Em and Dre were busy linking up in the studio for the first time, DMX was riding the wave of his own debut album, the gothic masterpiece It’s Dark And Hell Is Hot. Dre helped solidify Em’s credibility among hip-hop heads, who may have been otherwise hesitant to embrace a goofy looking whiteboy with bleach blonde hair. The project was devoured by mainstream media, and a co-sign from NWA legend Dr. When that album dropped on February 23rd, 1999, Em’s infamous “hi, my name is” line skyrocketed into ubiquity. ![]() Insofar as commercial success, there are few who can rival the sheer magnitude of Em’s career, and while purists swear by the DIY charm of the self-released Infinite, his upward trajectory can largely be credited to his major label debut The Slim Shady LP. On the surface, DMX and Eminem may appear to be a different breed of emcee, yet there are many similarities to be found. Eminem and DMX are both legends, but which one had the superior debut?
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